LIGHT AS A MOVING MATERIAL

Light, with presence.

An instrument for the hours between day and night. Turn the rings. Open the light. Make a moment your own.

Shape the light↗

STUDY 01 / BrassFORM / LIGHT / MOTION

LIGHT OPENING / 48 °

A single continuous loop

01 — AN EXERCISE IN LIGHTING

LOOK A LITTLE CLOSER

01 / A LINE IN THE AIR

A continuous loop. An open centre.

Read the three circles as one object before looking at the small decisions that hold them together.

Surface01 / 03

Aperture48°

12—88

Orbit speed28%

MIN—MAX

Drag to turn. Arrow keys to explore.
Every study begins with a small change.

A NOTE ON LIGHTING
THE HALO PERSPECTIVE

Not every light needs to fill a room. Some only need to change it.

A choreography of less.

THREE CHAPTERS / ONE EXPLORATION
First, a circle.

FIG. 01 / HALO

01 / THE LINE

First, a circle.

Before it became an object, it was a line drawn in the air. A continuous ring holds the light; the empty space inside gives it somewhere to go.

The smallest gesture can set the whole room in motion. Back to the instrument ↑

FIG. 02 / HALO

02 / THE BALANCE

Then, a little tension.

Three circles share a centre without sharing a plane. As each turns, a familiar outline becomes an unfamiliar volume. Nothing is added. Everything changes.

Open the aperture to see the three planes separate. Back to the instrument ↑

FIG. 03 / HALO

03 / THE HOUR

Finally, your evening.

Choose a surface and leave the rings almost still. The movement is slow enough to disappear into a conversation, and deliberate enough to reward a second look.

Save a study of the light you would like to live with. Back to the instrument ↑

YOUR TURN / A STUDY TO KEEP

Keep a little of this light.

Your settings stay here. Save a file to take them with you.